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@prefix schema: <https://schema.org/> .
@prefix ore: <http://www.openarchives.org/ore/terms/> .
@prefix owl: <http://www.w3.org/2002/07/owl#> .
@prefix svcs: <http://rdfs.org/sioc/services#> .
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@prefix skos: <http://www.w3.org/2004/02/skos/core#> .
@prefix rdfs: <http://www.w3.org/2000/01/rdf-schema#> .
@prefix rdaGr2: <http://rdvocab.info/ElementsGr2/> .
@prefix edm: <http://www.europeana.eu/schemas/edm/> .
@prefix oa: <http://www.w3.org/ns/oa#> .
@prefix rdf: <http://www.w3.org/1999/02/22-rdf-syntax-ns#> .
@prefix doap: <http://usefulinc.com/ns/doap#> .
@prefix ebucore: <http://www.ebu.ch/metadata/ontologies/ebucore/ebucore#> .
@prefix dcterms: <http://purl.org/dc/terms/> .
@prefix wgs84_pos: <http://www.w3.org/2003/01/geo/wgs84_pos#> .
@prefix odrl: <http://www.w3.org/ns/odrl/2/> .
@prefix foaf: <http://xmlns.com/foaf/0.1/> .
@prefix dc: <http://purl.org/dc/elements/1.1/> .

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	dc:description       "Ohne die Weitsicht der Gemeindeversammlung stünde die Therme heute nicht. Rund 26 Millionen Franken hat die abgelegene Gemeinde Vals hier mutig investiert. Den Wettbewerb gewann Peter Zumthor mit einem Konzept, das das landesübliche Sport- oder Plauschbad verabschiedete und konsequent auf das sinnliche Erleben von Wasser, Stein und Licht setzte. Ein Bad, gebaut aus den Materialien, aus denen auch das enge Tal besteht. Man betritt einen Stollen mit schwarzen Wänden, Valser Gneis am Boden und einer silbernen Decke und hat den Eindruck, ins Erdinnere vorzudringen. Ein Rauschen empfängt die Besucherin: In der Korridorwand speien fünf Röhren das 30 Grad warme Valser Wasser in eine Bodenvertiefung. Das Ohr badet mit. Nach lackierten Garderoben betritt man das Bad auf einer Galerie, die einen Überblick erlaubt. Auf \u0022Steinen\u0022 sitzen die \u0022Tische\u0022, geschlossene Mauerpfeiler aus Valser Gneis tragen die Deckenplatten, die durch schmale, blaue Lichtschlitze voneinander getrennt sind. Zumthor zaubert mit Licht. Er bietet auch dem Körper etwas: Schwitzstein, Klangstein, Trinkstein, Feuerbad, Blütenbad, Ruheblock. Es ist ein Bad der herabgesetzten Geschwindigkeit und des Sichfahrenlassens. Eine Höhle der Wasserverwöhnung. Blickt man allerdings auf den Grundriss, so entdeckt man, wie funktional das Ganze organisiert ist. Sinnliche Architektur ist eine Frage der Dosierung.\u000A\u000A---\u000A\u000ALa suletta funtauna chauda en il chantun Grischun sa chatta a Val S. Pieder. Qua cula l’aua cun 30 grads ord la profunditad dal culm. Dapi 1893 vegn la funtauna er nizzegiada. Fin uss faschevan ils implants da bogn part da l’hotel da cura. Il nov bogn percunter è in edifizi autonom. ‹Aua› è ses tema architectonic, betun e quarzit da Val S. Pieder ses material. Il bogn termal sumeglia ad in bloc da grip chavà or endadens che sesa, surcreschì da la vegetaziun, profundamain en il grip. Il monolit n’ha nagina entrada. Ina galaria sutterrana maina en l’intern dal bogn. La galaria sa sroma, s’avra a hallas cun gronds bogns u finescha en vaus e chombras da grip cun stanzas da massascha e pitschens batschigls. Glisch dagutta da surengiu en ils corridors e creescha in ambient per aquambuls e semiadras.\u000A\u000A---\u000A\u000ASenza la lungimiranza del consiglio comunale queste terme oggi non esisterebbero. Lo sperduto comune di Vals ha investito coraggiosamente in quest’impresa circa 26 milioni di franchi. Peter Zumthor vinse il concorso con un progetto la cui concezione rinunciava all’idea corrente del bagno associato a sport e divertimento puntando invece molto coerentemente sull’esperienza sensoriale fornita da acqua, pietra e luce. Un bagno nato dagli stessi materiali di cui è fatta la stretta valle. Si percorre un cunicolo dalle pareti nere, dal pavimento in gneiss di Vals e dal soffitto argentato, e si ha l’impressione di penetrare al centro della terra. Uno scroscio accoglie i visitatori: dalle pareti cinque tubi spruzzano l’acqua a 30 gradi di temperatura in una cavità del pavimento. Anche l’orecchio vuole la sua parte. Attraversando dei guardaroba laccati si accede al bagno da una galleria che consente una visione d’insieme. I ‹tavoli› poggiano su ‹pietre›, compatti pilastri a muro in gneiss di Vals reggono le lastre di copertura del soffitto, separate l’una dall’altra da fessure di luce blu. Zumthor fa magie con la luce. Al corpo offre sensazioni dai nomi evocativi: pietra del sudore, pietra che suona, pietra potabile, bagno di fuoco, bagno di petali di fiori, blocco di riposo. È un bagno che bandisce la fretta e concilia l’abbandonarsi. Una caverna di vizi acquatici. Tuttavia, se si osserva la pianta dell’edificio si scopre quanto il tutto sia stato organizzato in maniera funzionale. L’architettura dei sensi è una questione di dosi.\u000A\u000A---\u000A\u000AThe Therme would not stand here today had it not been for the far-sightedness of the local council meeting. The remote community of Vals courageously invested 26 million Swiss Francs. Peter Zumthor won the architectural contest with a concept that ignored the typical sport and fun pool concept and bet on the sensuous and restorative experience of water, stone and light. Baths built of the materials that the narrow valley is made of. One enters a monolithic tunnel with black walls, Vals gneiss on the floor and a silver ceiling, and has the impression of penetrating the earth. A sound of rushing meets the guest; five spouts on the wall of the hallway spew warm 30-degree C. Valser water into a groove in the floor; one's ears are now a part of the bathing experience. After leaving the lacquered changing rooms one enters the baths along a gallery, providing an overview of the complex. The “tables” sit on “stones”, closed buttresses of Valser gneiss support the ceiling structural slabs, which are separated from each other by narrow, blue slits of light; Zumthor is a magician with light. The body is treated with sweating stones, sounding stones, drinking stones, fire baths, blossom baths, blocks of repose. Baths of slowing down and letting go; a grotto where one is spoiled by water. Although if you look closely at the layout, you discover how well organised the whole thing is. Sensuous architecture is a matter of the dosage."@de ;
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	ebucore:width         "508"^^<http://www.w3.org/2001/XMLSchema#integer> ;
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	edm:hasColorSpace     "sRGB" ;
	edm:rights            <http://creativecommons.org/licenses/by-nc/4.0/> .

<http://data.europeana.eu/proxy/europeana/1451/building_40>
	a                   ore:Proxy ;
	dc:date             <file:///home/jenkins/workspace/download-datasets-run/#1996> ;
	dc:identifier       "building-40" ;
	dc:type             <http://data.europeana.eu/concept/29> ;
	edm:europeanaProxy  "true" ;
	edm:type            "IMAGE" ;
	edm:year            "1996" ;
	ore:lineage         <http://data.europeana.eu/proxy/provider/1451/building_40> ;
	ore:proxyFor        <http://data.europeana.eu/item/1451/building_40> ;
	ore:proxyIn         <http://data.europeana.eu/aggregation/europeana/1451/building_40> .
